There’s a new review for Inhabited on ArtsATL! Check it out here.
Works such as “All the Loose Wires” lie somewhere between still life and abstraction. Schick’s surgically precise cutouts of telephone wires and the odd shapes they take, the equipment and poles that keep them in place, indicate a perceptive understanding and curiosity about the spatial relationships between objects. Her ability to effect this, regardless of the independent meaning or interest of the objects she selects, and with such an unusual medium, takes center stage. The perspectively adroit artist takes in the mundane, the jumbled, the overlooked, the everyday, and makes it fascinating by her attentiveness.